The subversive stitch

One of the most revealing aspects of Dilys Dowswell’s review of the two exhibitions which formed ‘The Subversive Stitch’ (Issue No.24), was the language she used to contrast the historical documentation of embroidery at the Whitworth Art Gallery with the work of contemporary women shown at the Cornerhouse, Manchester: the Cornerhouse show was ‘inhospitable’ by … Read moreThe subversive stitch